Sunday, October 14, 2007

Blog MEME

it's another meme! (received from the wonderful MARGMOR - I wonder who she really is behind that ghost-writer name?)
Here's a fun quiz made up especially for bloggers. The rules are easy. Just post the quiz on your blog and answer the questions, then pass it on to five other bloggers, and link to them in your post.
(sorry, you mistake me for someone who’s savy, or who follows the rules)

1. Do you attend the Traditional Latin Mass or the Novus Ordo?
the what’s it's?
2. If you attend the TLM, how far do you drive to get there?
can't get there from here
3. If you had to apply a Catholic label to yourself, what would it be?
run-of-the-mill-poorly-trained-formerly-Protestant-basic-believer (is that even one of the choices in the available drop-down list)
4. Are you a comment junkie?
ABSOLUTELY – love to leave them (have been known to go overboard), love to see if they will actually get posted or not (someone gets all snooty and refuses to post comments that may have any hint of dissagreement or dissent - where's the fun in that, so I am compelled to see how much I can get away with saying before I cross her editor line -- BAAAH HUMBUG!) (just a little game I like to play)
I love to get them (and I don’t care if you agree or not) and am always childishly bummed when nobody leaves comments for me (I spend a lot of time being bummed)
5. Do you go back to read the comments on the blogs you’ve commented on?
Well “duh”! I love to read how witty I was!
6. Have you ever left an anonymous comment on another blog?
Sure, often – well, actually always with inserting some "witty" made-up name – I have every faith that you know who I really am! (the stupid wisecrack remarks would give it away anyway so it's not like "anonymous" is anything anonymous)
7. Which blogroll would you most like to be on?
actually, THAT I don’t put much thought into, although I suppose I would be flattered (and could be easily tricked into thinking it means you like me if you added a link to me - but alas, I'm not linked there so I know too well where I despondantly stand)
(:-(
8. Which blog is the first one you check?
HerMajesty of course (Always start with the queen! Who knows, maybe she said something nice about me!)
Then, faithfully every day (work is slow, so usually OCDishly multiple times – how am I supposed to know what time of day somebody might post, and I'd hate you to have you think that you didn't get read until the next day?) Mary, Margo, Paula, Mary’s graveyard blog, my own (just in case somebody left a comment and I didn’t get the email notification – no, I don’t screen them. If you comment, it’ll be there - say whatever you want - good, bad, or scathing). Now Julie, Corey and neice Stephanie have blogs – so my list is growning.
9. Have you met any other bloggers in person?
People I know are the only ones I care to follow. It's a neat way to keep in touch despite everybodies crazy busy schedules and "other-side-of-Boston" geographical obstacles which make it hard to see each other on a regular basis
10. What are you reading?
say what? Books? (You mistake me for somebody who reads anything OTHER than your blogs?)
Well I did just review the USAHockey rule book 2007-2009 edition - time to take my annual referee test.
I pass this quiz on to :
I got no one – they are all taken already

Friday, October 05, 2007

The Island - Oct 2007

Work is slow, so I had the day off. Kids were at school and Suzie was sleeping (after working the over-night shift). I was alone for the day and it was a warm fall day, perfect for taking a little canoe ride out to the island (no - not THAT island, the Green Harbor River family island) to see how things looked. Eric has been out during the summer to mow and clear some, to keep it from getting too over grown.





Thursday, October 04, 2007

It's Almost That Time again

I just checked the calendar and counted back to when the last edition came out, and now I can feel the excitement building within. I faithfully (obsessively-compulsively) check every day to see if it's arrived (sometimes twice a day) even though I know I'm being silly - it'll get here when it gets here - but every day that it DOESN'T arrive means it's one day closer to arriving. Of course I (and many other fans I know) am eagerly looking forward to the latest edition of the "PAULA QUARTERLY REPORT" ( http://pflan.blogspot.com/ ). She is clearly the smartest blogger of us all. Instead of constantly satiating our greedy need for daily attention, she cleverly holds us at bay - making us desire her insight and philosophy all the more. Pure genius she is - and we impatiently wait, hoping today will be the day that she blesses us by sharing her genius with us.

Monday, October 01, 2007

Face-Off

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Rink Rat



Hockey season 2007-2008 is officially open! 25 years of refereeing youth hockey and still enjoying it (even the clueless coaches and hapless players). It helps that my legs are still twice as long as most of the kids so I can still out-skate them end-to-end. And what's not to love - it's the one place I can go knowing that I have the authority to win every arguement (even if by some longshot I'm actually wrong, the stripes make me right).


Shame I don't get to wear them at home!


Al Oerter - 4-time Olympian Gold Medal Discus winner



Just heard on the radio that former Olympian discus thrower Al Oerter passed away today at 71 years old. Why on earth would this be noteworthy to me?

Well, first off, because I have met him. I would have been somewhere between 3 and 6 years old. Our neighbors across the street had a farm and the oldest boy Al Hall was an Olympic medal winning Hammer thrower and a friend of Al Oerters. Occassionally, the two Al's would practice together in a field on the farm.

(see also http://30phillipsst.blogspot.com/2007/02/playing-in-fields-or-halls-farm.html )

Secondly, as I was looking to see what info I could find about Mr. Oerter, I discovered a fascinating (to me anyway) comparison between him and my daughter Julie. They both started out as runners in high school, at 15 years old they both switched to discus, they both compete(d) for fun as a hobby (OK, a very serious hobby for Al) and competed with the simple goal of just throwing as far as they could (Al claimed to not understand why throwers started having rivalries because in his day they were all friends, during and after competition - and I see Julie having the same philisophical outlook). After retirement, Al took to painting as a professional artist - which is of course Julie's ultimate goal in life.

Who knows, maybe Julie will make the Olympics some day - just to complete the comparison.

(read article about Al Oerter at
http://www.iaaf.org/news/Kind=2/newsId=21022.html
)

Thursday, September 27, 2007

This just Poppled into my mind (NO, that’s NOT a typo)

Actually it’s a thought I’ve had off and on for a number of years now – about developing a musical religious program (using mostly all secular popular radio songs). I already developed a concept regarding mixing secular and praise music into a youth retreat format while acting as the music director for YOW retreats (Youth Outreach Weekend). YOW is no longer, but the concept remains – looking for a new outlet. Sue attended a 2-day retreat for area Youth Ministers which was run by two young men who’s act/program/call-it-what-you-will is known as “Popple”. They sing and play instruments and joke and lead prayer and witness and in general, evangelize – and I missed it. I did get to stop in later at night just to meet them and casually jam for a bit. They seem like real nice guys, and it’s cool to think that their “job” is to travel around the country getting paid to put on retreats/programs of various durations/intensity. Not a bad gig if you can get it. It’s probably good that I didn’t get to see them “in action” ‘cause I’d probably spend way too much time thinking “I could do that” (actually, you reading this is proof that I already have) even though logistics if nothing else would say otherwise. Having a wife & kids and being a wandering minstrel just doesn’t go together very well (damned family values are killing me!). I suppose it would help to for starters actually develop a program (it’s not enough to just have an idea and have an ability) but we have trouble finding the time to attend retreats, never mind develop and run one professionally. But maybe some day I’ll have time to work it all out (of course “that day” will probably be as I lie in my bed, an invalid at the nursing home. I’ll do lots of good thinking then!). Sue could be the MC and primary speaker and I would be her support/fill-in-the –gaps/offer-a-different-voice-perspective/music person (I know –it’s hard to imagine us in those roles but I think we could pull it off convincingly). Whether a real possibility or just a pipe-dream, it’s fun to envision it. And of course, we’d need a catchy name for ourselves.
(no Margo, not Both Dakota's)

The High Holy Cathedral of Saint Ted


Fenway Park - Thursday Sept. 20th

Earlier in the week my friend Mark called Sue to ask if we wanted his tickets to the Thursday Night RedSox game. Mark has “week-night-games-only season tickets” (who knew you could be that specific?) and we have managed to attend a few games over the years on night that he was unable to go. So, four games left in the regular season, a chance to clinch 1st place (if we were to win and if the Yanks had been kind enough to lose), of course we want to go!

Alright, so we lost and the Yankees won – but we totally enjoyed ourselves at baseballs greatest shrine!

Wednesday, September 26, 2007

Happy Phone Call

So I'm at work and my phone rings (usually means it's an upset customer) so I answer with my best Customer Service voice and am pleasantly surprised to hear Mary's chearful voice saying "Hi Papa" (she apparently doesn't know that I now have my own cell phone back from Corey -- and funny but she is the only person in the world who refers to me as "Papa" not that I mind, it's sorta cute - just an observation as I don't know where it originated from or when). Just wanted to tell me who she bumped into as she was returning to work from lunch break and happened to hold the door for a very large mailman who was entering at the same time. OK - I already know who THAT is before she tells me. Boston, Mail Man, Very Large -- the one and only "Little Drummer Boy" Andy. She of course confirms this to be true. He recognized her and spoke up first - she (who until just recently was still a kid and apparently never picked up on the fact that Andy was a mailman or that he worked in Boston - but to her credit did know he was very large) was at first caught off guard (the shades threw her off?) and then recognized him. So she told him how the family was and he told her about the movie that was coming out that he was an extra in (Game Plan), and that he hasn't played the drums for a while (well I coulda told ya that - they are still in storage at our church for the past 6 months). Anyway, what a nice surprise call - hearing unexpectedly from a loving daughter about a good friend - made a nice day even better.

Across My Own Universe



I just saw the new musical/movie “Across The Universe”.
Stunningly good – and that’s my completely biased opinion.

I’m not sure how to describe it. I’m not sure why or even how it affected me. I’m sure there must be deep psychological reasons and underlying issues and repressed memories and unfulfilled dreams churning inside of me that lots of therapy could wring out. In 1969 I started high school, my brother started college, the Vietnam War was raging, psychedelia and hippydom was trying to spread peace and love even if it meant fighting the police and National Guard, and music (specifically The Beatles) was sort of a lightning rod for channeling young people’s emotions.

I liked the musical “Hair” – the music, the story, the performers, the vibrant colors – but the characters did seem somewhat like exaggerated charactatures of common 60’s strereotypes. I’m sure that somewhere those exact characters existed, but I didn’t personally know any that were quite that extreme (in their own individual stereotypes) and it was certainly a stretch to think they all would have ended up associated together as they were in the plot. This story feels real, the characters are not larger-than-life. You do not feel like “here is the hippy, here is the tortured soul, here is the innocent sweetheart”, even thought they are all there. This would be a very good story without the music (or with different music). But here, the story line fits the music, or the music fits the story line – not only fits but is an essential part of the dialogue and the plot. It is heresy (to some Beatles fanatics) to imply that somebody could actually improve a Beatles song, but the interpretations of the songs so impressively fit the mood of each moment of the movie (no, not fit the mood – define the mood) that I was so glad that they didn’t just use the original Beatles songs, they recreated them powerfully. As stand alone songs they are beautiful, sweet, sad, joyous, and well loved friends forever. Used within a story, with characters who bring specific emotions out of them, with visual and physical content applied to them they can make you cry in pain or shake your soul or leap for joy or fall in love. AND you could insert yourself into the story as being any one of the characters and feel exactly what they were feeling on screen. But in the end, I’m not too interested in explaining the movie to you – although I will highly recommend you go see it (especially anyone between the ages of 50 – 60).

What I wish I could address is the way I respond to music (and I’m sure I will fail in trying). Most of you might want to simply stop here now, as the rest is destined to come off sounding like a vain attempt at being transcendental and pseudo-psychological and self-indulgent or just a load of crap. As much as I know I should not attempt to explain, I am much more stubborn than I am intelligent – so here goes.

There is something about certain music (not all music) that affects me deeply. Sure, lots of music can prompt lots people to tap their toes, bounce their heads, rise up and move or sing. It’s a common reaction and for some people, the primary function of music – simply entertainment. The right music can make my entire being hum. My insides react like a tuning fork that has encountered the exact matching frequency and responds by spontaneously vibrating. Susan was actually able to sense it as it was happening (she herself has an amazing ability to tune in to other peoples feelings) even though we were just sitting still – holding hands or with my arm over her shoulder. Harmonies and certain chord progressions (and usage of dischords) do that to me. It’s not a note, but the combined affects of specific notes- used simultaneously, or in sequence as the resonance or memory of the previous note is still audible. It literally moves my inner being like a microwave oven setting the molecules of frozen food into motion and generating tremendous heat. In particular, the songs “Dear Prudence” and “Because” nearly brought me to tears during the movie – and she could feel it through my arm. These are songs that most people easily pass over – would never show up on anybody’s list of “1000 greatest songs ever recorded” or even “top 20 Beatles songs”. But for me it’s as if I’m the earth, with a thick solid crust. Underneath is a mass of molten emotion, well contained (some may argue TOO well contained) and only able to occasionally vent through narrow, temporary outlets. But somehow, from somewhere, some harmonic vibration causes the lava to become excited and boil with greater intensity, building up pressure. This can cause the outer crust to feel excitedly alive and unusually flexible – bordering on ecstasy, but also bordering on pure serenity. It is complicated, and made more so as I feel as if I could easily go into a trance-like state if only I would allow it. What if I totally gave in and let it all flow out? (Is this where an accusation of being anal-retentive comes into play?)

There is an old story about a scientist who is working on the concept of the song that gets stuck in your mind and you can’t get it out. But of course you eventually do. So he studies and experiments and tries to construct “the perfect song” that you would happily NEVER get out of your head – and he succeeds and goes into a blissfully vegetative state for the rest of his life. His assistants are of course desperately tempted to know what the song sounds like but can see what their fate will be if they dare listen.

I have wondered what would happen if I assembled my perfect collection of songs (it would be HEAVILY dominated by Beatles) and put on my headphones. Maybe my controlling my insides from boiling too much is saving me from certain self-absorbed destruction, or maybe I’m preventing an incredible inner force from coming forth and redefining a totally transformed version of me. Like the scientists assistants dilemma, is it worth the risk? Why am I like this (not the long-winded story-telling problem (that’s a different issue), the inner musical vibration thing)? Do other people feel this way? About other things? HerMajesty about babies and puppies? Certainly some religious people feel this way about God? Maybe it’s like Timmy and his numbers in his head? Am I (are we) supposed to do something about it or simply live with it? But it’s not like I could turn it into a career or save peoples lives with it. It’s just my own personal universe.

Thursday, September 20, 2007

The Heart Of The Matter

“The call came yesterday I didn’t want to hear,
but I knew it had to come”


"there are people in your life who come and go
they let you down, you know they hurt your pride
you gotta put it all behind you 'cause life goes on
if you keep carrying that anger, it'll eat you up inside
It’s time to get down to the heart of the matter
‘cause everything changes
and my thoughts seem to scatter but I think it’s about
forgiveness,
forgiveness,
even if, even if you don’t love me anymore”


The Heart Of The Matter by Don Henley

And the call did come. I wasn’t sure if it would, or if we would have it out at one last practice. In the end, the band member who seemed to be most on my side (or at least the most understanding of my side) got to be the one who called to let me know I was no longer in the band – they were moving on without me. I had spoken up too much, voiced too strong of an opinion, called them out when they said they would do one thing but immediately did the opposite. In the end, I think Rob mostly agreed with my point of view but couldn’t successfully defend me against the other angry members (of whom he was still band-mates with). I can’t help but think that he and I could very easily and successfully put our own band together – but of course it never was my intention to break up the band and I certainly would not feel right in suggesting it now. It would seem very vengeful and vindictive and possibly be construed as pre-meditated – none of which is true. (I may very well call him in a couple of months just to see how they are doing, though. I admit that part of me would be happy to hear they were stalled – and I would absolutely consider suggesting a new project with Rob in a heartbeat)

I believe the heart of the matter is this:
in Joni’s mind it was her band - even though she refused to publicly say so (she actually publicly rejected the idea of herself as the leader) and she hated confrontation and would avoid it as much as possible (but she got edgy if things didn’t go her way). When I auditioned, they narrowed it down to me and another guy. They called us both back with some thought of keeping us both and going as a 5-piece band (but the other guy bailed out the day of the return try-out). In retrospect and pure speculation, I wonder if she liked the other guy but Rob (or even Rob & Ken) liked me, and then when the other one dropped out she was stuck with me. To her credit, she never tried to hide the fact that she thought we should look for a 5th member – but she (initially) lost the vote. When I announced I couldn’t make it to her family cookout/band gig she was seriously distraught and insistent that the gig had to be played, it was critically important to her personally and for the band, and we HAD to and would find someone to fill in. And of course it would be hard to request somebody come learn a bunch of our songs on short notice, be the lead singer, for free, and not be offering him a continuing fulltime membership if he wanted it. This is when Bill came into the picture, and being a good friend of Ken’s meant she now had three of five votes in her favor. The funny thing is, when Bill first came to listen to us, he couldn’t understand why we would want him – we sounded too good (and the short prep time before the cookout gig was too daunting of a task). Whether he simply changed his mind or was talked into it I’m sure I will never know, but after turning us down he surprisingly did an about face and accepted enthusiastically.

So as I understand it (from general conversations and comments I picked up on) the gig went only so-so, but Bill was determined that this could turn out very good. He also repeatedly expressed how Joni’s vocals should be much more heavily featured (and of course he had a ton of songs of his own to offer). I know – this is where it becomes hard to retell the story without me sounding jealous or egotistical or threatened or paranoid – but despite my belief that a 5th member only complicated things, I made every effort to cooperate and figure out how to make it work. It helped that Bill had a lot of songs I really liked. But now with a majority bloc, Joni, Ken and Bill started speaking out that I had too many songs, we had too many worn out tunes, and too many bland tunes – and that we had to hit the brakes, back up and start over. And this is where I took a stand. I didn’t mind giving up songs – I had been actively trying to get the others to increase their own lists (and after discussion, everybody admitted this was true). I disagreed that slow songs aren’t dance songs – of course they are (and after discussion, everybody agreed). I disagreed that people are sick of hearing the same old songs – they WANT to hear songs they know (and after discussion, there was at least some agreement from all). I insisted that if we were so close to being ready before, we couldn’t be too far away now – but if we attempted mass renovations of our song list, we would never make it out of the garage (this is when we discussed the 2 in & 2 out concept and everybody CLAIMED to agree).

Rob told me over the phone that the others thought maybe I was trying for a power play. I suggest that Joni pulled off the real power play – slowly and steadily. I suppose I played right into it, but I also can envision that it was all just a matter of time. I wasn’t her choice, I tried to move us along, she didn’t trust my methods or my agenda – but she couldn’t say it (I’m guessing she didn’t even confide this to Ken or Rob).

I wondered what she would say to me when I went to her house to remove my amps and equipment from the practice garage. Would she be apologetic, cool but polite, angry? I don’t know why it didn’t occur to me but when I showed up, Joe (Joni’s husband) politely helped me pack my stuff and offered to pay me for the new strings I had just put on Joni’s mandolin. Despite the fact that her car was there, Joni never appeared - deftly avoiding a possible confrontation again.

So it’s over. In the end I can’t be mad at them. I feel sorry for them – Rob because he was really eager to get going and this is a big setback, especially considering that at least two other band members will be trying to determine the direction of the band which bears his name (Joni actually suggested the band name, not Rob) – Ken because all of the crap was coming down days before his daughters wedding – Bill because he was just the “new guy” trying to get with the flow, and he quickly figured out what direction the tide was flowing – and Joni because she should be able to put together her own band, a good band, the way she wants to but if she refuses to be the leader of her own band she will forever find herself avoiding confrontations with whoever dares to direct things – and desperately trying to turn things around to her satisfaction with out offending anybody. That is a tall task.

I am deeply disappointed as to how things turned out, but forgiving them is actually fairly easy and just feels right. I take responsibility for my own contribution to the situation, and I accept the consequenses. I feel better already.

“The ending of the tale is the singing of the song”
Simple Man by Graham Nash

Perspective

1) I felt that I was fighting for the band – they felt like I was fighting against the band
2) Sue was worrying that the new (potential) job would be too hard for her - the interviewer worried that it might be too boring for her
3) Sue is looking forward to getting out of working at the rehab, while cousin Dickie is looking forward to staying out of rehab

Monday, September 17, 2007

And now for something completely different....



being the signature line from Monty Pythons Flying Circus as they were about to introduce a new farce / segment ......


Wednesday night when I got home from band practice there was a message from Dick - he needed a fill-in guitarist for saturday night and wanted to know if I could do it. I played in Dick's band many years ago as a regular member until I decided that I really wanted to have my own band to play more current music. My goal was to play anything more current than 1950. You see, Dick is now 72 years old but still going strong. He is actually a pretty darned good lead guitar player, although when somebody else is singing a song he thinks nothing of over-playing on your lyrics. Most of his repeirtoire is old country and old oldies (think Hank Williams, Eddie Arnold, The Drifters, "She Stopped Loving Him Today" and "Red Roses For A Blue Lady") and a few Portugese traditional favorites sung with that stereotypical "too many drinks and too many smokes" gravel voice . So 10-12 years ago I left Dick and started my own band "Heartland"- all modern country from the 1990's. For anyone who follows new country music - yes - somebody else took my band name that I had never registered (and became a grammy winning band). I still would fill-in for Dick anytime he needed someone and time allowed. Dick is a great guy, always the sales man, always the entertainer, always your best friend - and sincerely so. OK - so he never has as much work as he claims, he hasn't learned a new song in ages, but he will on most nights let me sing some that I know (provided it's something easy that he can vaguely grasp as I'm in the middle of playing it to a live audience for the first time)(OK- live is a relative term as Dick's following is primarily his age and older - but they do like to dance and they ususally don't mind if Dick lets the young guy - me - sing some too). Now I have a three-consecutive-weekends stint with "The Travellers" while I wait and see what-the-heck is going on with the "Shain Reaction" band. I will enjoy it. It is no stress, low pay, low expectations, same ol' songs, with happy people who are simply grateful to have woken up this morning able to get out of bed. Dick's long-time drummer had to quit years ago due to cancer. Now his longer-time bass player recently followed suit. Dick now plays all of his gigs with whatever waifs and strays he can track down. I guess that makes me a "waif" and/or a "stray", but I'm happy enough with it for what it's worth. After 3 weekends in a row, I will once again be clear as to why I left in the first place and how much I want to be in a band with like minded enthusiastic musicians, a band that rehearses, that plays really good tunes, that sounds tight, that has pride, and enjoys the comradarie of "team-mates".




Friday, September 14, 2007

Did I Miss Something

Did I miss the real meeting and only dream the one that I recall? After determining that we would take the existing (near)working song list and each band member would identify 2 songs that they thought were worth replacing and suggest 2 songs to put in their place. Bill volunteered to redraft the existing list (there were actually two – one that we have been practicing and building for 6 months and one that they used at a cookout they played without me) and email it out to everyone. Bill is a close friend of Ken’s and was specifically recruited because I couldn’t attend our first informal gig - the aforementioned cookout. Bound and determined that this family gathering was very important to our future, Joni insisted we find a fill-in – or even a full-time 5th member. Although agreeing that a 5th member – one who can sing, play guitar and piano – would make us more versatile, I wasn’t convinced that we needed more versatility (we could certainly select and learn to play 1000 good songs very well with the original 4 of us). I expressed a concern about trying to add a new unknown (to most of us) member might disrupt the friendly easy-going atmosphere and feared that the process of getting him up to speed and learning a dozen or more of his songs would seriously slow down our progress. As good as everybody is, we already weren’t as far along as I would have hoped but we were starting to feel very good about ourselves. We were convinced that we were “almost there”.

Now, instead of redrafting “the working list” and suggesting 2 to drop, 2 to add - Bill opted to forward a list of 20 songs to practice – 18 that were not on the existing list. My recollection was that this is what we were deliberately trying to avoid – endlessly suggesting “potential songs” that may or may not eventually make it while never solidifying the working list. So I end up having this silent debate in my mind – do I stand my ground, do I shut up and just see what happens, do I try to be politically correct, try to negotiate, tell myself I’m being defensive or jealous or egotistic or overly sensitive, trust that things will work out alright, or see the writing on the wall? Did I intuitively predict the future or am I creating a problem that doesn't actually exist? Was I right or am I wrong?

Thursday, September 13, 2007

Shoveling Against The Tide

So we had our big band meeting. Not bad, not 100% rosy but people got to voice their concerns and opinions. Everyone still agrees we should be able to be a very fun band (for ourselves and an audience). Everyone still professes to respect and like each other. Rob was good at sticking firm that we should be working toward playing out as soon as possible and that we need to put together a CD/Tape and Band Bio so he can start talking to clubs. Our plan is to record a few songs for this on Sunday the 23rd. This is good – it should get us focused and motivated. The sooner he can line up a gig or two, the more determined we will be about solidifying a set list.

In the end, different people had different ideas over what songs we should be learning. While the general type of song is fairly well agreed on, there is some debate over “is this really danceable?” or “how many slow songs per set is too many?” or simply “I always wanted to do this song! Can we try it?” These are certainly not irreconcilable differences that would break up the band.

We basically agreed that we should look at the current song list and each of us should pick two songs we would like to dump and offer two songs we would like to replace them with. Then we would all vote whether or not to indeed replace any individual song that someone proposed to dump. If we all picked different songs and with no objections, in one session this could result in 10 out of 45 being turned over. Not a horrible solution and everyone seemed to accept this suggestion. Of course we weren’t totally clear if we are doing this based on the “set list” or based on the “here are all of the songs we’ve tried so far” list.

Finally we got to actually practice some music. Bill had mentioned a Mick Jagger song (not a Rolling Stones song) that he felt was probably Mick’s best song ever and a great tune for us to try – catchy beat with a different but not difficult chord structure. Of course nobody had ever heard the song before but Bill had it on CD and had the lyrics already printed out – which included lines like "You're a apin in the butt when you're Puking out your guts" and“You blew Jelly-Faced Joe and Pedro the Pimp. I’m as hard as a brick, I hope I never go limp”. Maybe I’m a hypocrite by cringing at the thought of playing that song in public while gladly singing “Love The One You’re With”, but if choosing between the vaguely veiled moral looseness of the whole 60’s “peace, free love” attitude and the specifically crass and not even remotely poetic or romantic “shock rock” imagery of one rude/horny guy’s urges – I’ll go with the one with the lyrics that everyone knows so well and that only insinuates what might happen with the boy and girl. I’ll pass over the one that I would be embarrassed to sing in front of my kids or my mother.

I guess I’m still not clear on who is pushing the tide and who IS the tide.

You face the future with a weary past
Those dreams you banked upon are fading fast
You know you love her but it may not last you fear
It's never easy and it's never clear
Who's to navigate and who's to steer
And so you flounder drifting ever near the rocks
(Dan Fogelberg – Hard To Say)

Wednesday, September 12, 2007

Pushing The Tide

“Push The Tide” was the band name proposed by Ken the bass player. It refers to the difficulty of trying to exit the harbor while the tide is entering. Although the name “Shain Reaction” is apparently the name that won out, I see where the other would be a very appropriate name for a group of all over-50ish musicians attempting to form a new Rock & Roll band. At the beginning of August we were talking excitedly about being on the verge of “ready to play out”. Now in early September, for a variety of reasons both simple and complicated, there is some discussion about needing to revamp our song list, define our direction, and not rush into anything anytime soon. Apparently being with a bunch of genteel easy going people can be as frustrating as being with a bunch of egotists. For my part of the problem, while the others all seem to have ideas of what they want to accomplish – I (after meeting them) had a clear vision of how it could be. I auditioned with them knowing what I wanted and listened to what they said they wanted. After a couple of weeks, it appeared to all that this was really an excellent combination of talent and had great potential. But it was THEIR band that I was joining (despite no name at the time) so although they were counting on me being able to initially carry the nights worth of music (about 75-80% so in effect, they were looking for a front man for them to be the backup band to) it was not a situation that I felt like I could or should be the “leader”. Unfortunately NOBODY felt comfortable being in charge, which can be a disabling or even fatal situation.

So we have been practicing as much as time allows for a bunch of busy working family people can get away with. I tested out a large number of well known and not too difficult songs with them, and many fell together rather easily. I also made it clear that I felt that vocal diversity was desirable – my voice wouldn’t last too long as being THE vocalist all night, and the audience would get bored listening to my voice all night long. And in the end, with somebody else being the lead vocalist on whatever amount of songs, I would end up harmonizing on those songs (which is less taxing than being constantly the lead vocalist) so in effect I would be singing almost every song in some capacity any way. NOT being the full time lead vocalist was not going to be a problem with me.

Joni the drummer also had a number of songs she had done in the past and hoped to continue doing. Some went well, some didn’t click right away. I tried to identify which ones I thought we could put together with the least amount of time and difficulty, and continued to encourage her to work on them and find more – and even suggested many that I had played with other female vocalists that I thought she/we could do well. Despite finding a number of her songs to be ones we should be able to do, she continued to add to her list of “potential” songs while not pushing to actually finish rehearsing ones that we had previously attempted.

Rob only had a couple of songs to sing and although he liked the idea of doing more, lacked the confidence to attempt too many too fast. I suggested that he look at any of “my” songs that we were doing and see if there were any that HE could take over singing. So far he HAS taken a couple of mine – with my blessing.

Ken has continually resisted being the vocalist on any songs despite having a perfectly good singing voice – citing the difficulty in playing bass and simultaneously singing.

Bill the newest and 5th member arrived with an extensive list of possibilities – of which we quickly tried to identify which ones would fit in best and that we could play without setting back our time table too far.

So, as we are all busy besides trying to do the band and have trouble focusing and making forward progress, I hoped to help the situation by taking the songs we had developed the best so far and try to create a 3-set song list from them. I find this to be the best way to see if you have too many slow songs, or too many that are too similar, and to balance the vocals so that no set gets overloaded with one persons songs while another is under utilized. I can’t/don’t want to sing eight songs in a row. Each version offered was always with the expressed hope that the others would comment and contribute to the process. The most recent list (adding a handful of Bills songs and therefore reducing my workload to less than 50%) I sent out a week ago. A couple of comments/ suggestions were emailed back and forth, and then surprisingly some previously with-held complaints started coming out. Apparently I was hogging too many of the songs, and too many of the songs were worn out and beat to death while others were not rocking or danceable enough. Not surprisingly, I was initially upset at the criticism (I had been hoping for input, not blame). I felt that they were unfairly forgetting that when we met, they NEEDED me to sing most of the songs, and I had – through my own efforts – REDUCED my work load considerably already. It also drove home the fact that we NEED a leader, and I am still not the right choice for the situation – someone else has to step up.

So tonight we gather for practice, where we know we have to talk over these differences of opinions and maybe sooth a few hurt feelings (some of which may well be my own). I expect a fruitful outcome. Every body professes to have great admiration for each others musical abilities and personalities, and we all agree that there is indeed tremendous potential to proudly perform some really good music. Booking lots of work may indeed be a feat of “pushing the tide” but once we get out I believe the “Shain Reaction” will be a good one. This should be really fun and likely be the best band I have every played with. I just need it to happen soon because I can’t wait!

Monday, August 27, 2007

24 and there's so much more

"Old Man look at my life, 24 and there's so much more."
Written by Neil Young at 24 years old (talking to the caretaker - the "Old Man" - of his ranch) bemoaning his confused lot in life, shy and uncomfortable with relationships (especially with women) and uncertain if he will be able to live out the favored life that appears to be laid before him. Of course he had no way of knowing how fortunate (despite some avoidable and unavoidable hardships along the way) his life would eventually become.

"4 and 20 years ago I come into this life. Son of a woman and a man who lived in strife, he was tired of being poor."
Written by Stephan Stills at 24 years old, bemoaning his confused lot in life (he keeps switching from 1st person to 3rd person story-telling throughout the song). Of course he had no way of knowing how fortunate (despite some avoidable and unavoidable hardships along the way) his life would eventually become.

"24"
the TV show detailing the intense and suspenseful (and seriously hard to believe) events that unfold in a 24 hour period, leading you to believe that at the end of 24 hours the story is complete. Of course the show has run for many seasons, meaning that of course the story never ends - it just transforms and expands and finds new angles.

At 24 years old I felt very much like Mr. Young and Mr. Stills (without the Rock Star fame and fortune and drugs and groupies). But I had the good fortune at 24 to meet the Hanlon Family and in particular, Susan Hanlon. Of course I had no way of knowing how fortunate (despite some avoidable and unavoidable hardships along the way) my life would eventually become, but very fortunate it's been. Susan was 8 years younger than me - 16 when we met, 18 when we dated, 20 when we married on August 27th 1983.
And now it's August 27th 2007 - and I'm the old man looking at my own life after 24 years of marriage and there's so much more (yet to come). This show has had it's share of intense and suspenseful (and seriously hard to believe) events unfold in a 24 year period, possibly leading you to expect that the story must be just about complete. Of course the story never ends - it just transforms and expands and finds new angles. Having already lived through the many dramatic and humerous and suspenseful and romantic and unlikely and unbelievable "drama/sitcom" events of our life, I can only imagine and can't wait to see what the next 24 years will have to offer. I'll be 76 years old at that point, with grandchildren (Mary will be 47 and Joe will be 34 so very possibly no Great-Grand kids yet), and I fully plan to still have my much younger "Trophy Wife" (remember, Sue is 8 years younger than me - and she will make sure you never forget- so she'll only be in her sixties) who will still be pushing me to keep up. I'll still be insisting that I'm the one leading the way and pulling her along in my wake (maybe not - at 76yrs old "Wake" is not a word you want to use much). I plan on being much more gracious about allowing Scott and Margo and Paula to express their amazement and admiration over the depth of our love. I suppose I will still have moments when I frustrate and infuriate Susan, and then she will get annoyed at herself because she still gets that school-girl-in-love feeling of excitement in her stomach as she waits for me to come home. I will still be getting annoyed at her as she wonders when that baby urge will go away. I hope she's still eagerly learning new things. I hope I'm still finger-picking Helplessy Hoping on my 1955 Martin (no - I should hope for a 2015 Martin bought for me by my kids for a 60th birthday present). I hope I'm still physically fit enough for Sue to be justifyably mad at me for not dancing with her enough at our anniversay party. I hope that over the next 24 years I will finally figure out what the right thing to say is and when to say it. If not, I hope I still remember the words to Jim Croce's "I'll Have To Say I Love You In A Song" - I promise you she'll still remember the first time I sang it to her (and where we were sitting and what color shirt I was wearing - Some things will never change).

Through the years as the fire starts to mellow,
burning lines in the book of our lives
Though the binding cracks and the pages start to yellow
I'll be in love with you

(Longer by Dan Fogelberg)

Thursday, August 23, 2007

It's the Time Of The Season 4-H'ing



Mid-August

Time to put up the 4-H Fair tents at the East Middleboro 4-H grounds. After 8 years or so, we have gotten pretty good at this. Last weekend they put up four tents without us -- this weekend we put up five tents in three hours. Pay particular notice to the undoctored photo of Corey swinging a sledge hammer. Friday August 31st the Fair opens with the first night of the auction (poor country folks ebay the old fashioned way) - Saturday during the auctions 2nd night Corey should receive a scholarship ($100 - $500) for all his years of participation and work (yes, I said Corey and Work in the same sentence) - Sunday morning when we would normally be working at taking it all down, we will be instead driving Corey to Northeastern University to start his college career.
Cheryl at work always views it that this is THE sign that summer is almost over - when she drives by on her way to work and suddenly the tents are up.

4-H tents and back-to-school.

Last Call for summer fun because no matter what your calendar say's about September 23rd being the Autumnal Equinox -- you only have one week left once the tents are all up.


Goodbye Summer!

Monday, August 13, 2007

The BUSY SCHEDULE competition - my turn again

Some people just never get it – you can never one-up us with the busy schedule card.

3:45pm left retreat house in Wareham refreshed and relaxed
3:50pm receive call from oldest daughter Mary saying she is waiting at the house for her birthday
4:15pm stop at Shurtleff Park to pick up sound equipment loaned to music group (only to find out they didn't actually borrow it so I didn't actually need to make this stop)
4:20pm entertain Mary & friends at house
4:45pm get Sue to bed (has to work at 11:00pm)
5:15pm remove cap from truck
5:30pm head for Hanson to pick up Queen Size Bed platform from Nenna’s house
(no small feat – Henry built it, and if you knew Henry you know what I mean)
6:00pm discover Red Sox BLEW another game to Baltimore and the Yankees won
6:45pm return with bed, pick up Julie and head to Kohl’s for back-to-school shopping
8:15pm finish shopping and treat Julie at Friendly’s
9:00pm return home to unload bed from truck (again – no small feat)
9:10pm send Corey out to gas up truck while I prep Sue’s supper
9:30pm wake up and feed Sue
10:15pm send Sue off to work
10:20pm send Corey & Julie off to purchase essential feminine products
10:30pm shower
11:00pm type letter
11:30pm bed
6:45am discover Phone message left at 6:30am about cat getting spayed today (we thought it was tomorrow)
7:15am call Sue (who’s driving home from work) to update her on the morning issues
7:20am return call to spay person – left message
7:25am return call to Chicken inspector to verify his visit later today
7:30am find cat carry cage
7:45am pick up Jamie from sleepover (because we thought the cat thing was tomorrow)
7:55am answer return call from spay people to verify the cat will be there between 8:00am & 8:00am send Corey to Duxbury with cat, send Sue to bed, send Jamie back to friends house (Corey insisted he didn’t want Jamie’s help)
8:05am leave for work (1/2hr late)
8:35am arrive at work (1/2hr late)
8:45am relax and start work
(total 17 hr time span)

cost incurred for above noted events: free retreat $50 (and well worth every penny btw), birthday (nothing YET - wait 'til wednesday), gas for van $30, bed $ hernia, Red Sox $ my sanity, Kohl’s $50, Friendly’s $12, gas for truck $20, feminine products $10, gas for car $10, the letter $ Sue’s sanity (ok – initially it will be lost but eventually saved), cat spay $65, chickens health check $5 (total $252)

Wednesday, August 08, 2007

Hello Corey (the original Corey)



So Corey (the one my son Corey is named after) moved away many years ago and is happily married and living in Monticello, Indiana. Long ago - before wives & kids - we played hockey & softball together, coached softball together, hiked together, hung out together - typical 20-something buddies. He was an usher at my wedding. At that time he was living in PA and we stopped to visit him on our way home from our honeymoon. Then he and Beth got married and moved to the midwest where she was from. They did come to visit once when Mary & Tim were very little, but I haven't seen him in about 20 years. Every couple of years we (I) would randomly call to say "hi" and we'd chat for half an hour - mostly about the good ol' days. Eventually I got hold of his email address and we would occasionally send a note - mostly notices about major events (Sue's parents deaths, Mary's wedding, etc...). The last couple of times we emailed, it ended up with about 10 responses back and forth. I told him it would be so much easier if he just signed up for IM. Lo and behold, the next day he emailed me to say he did. Ok - so I had to email him back to request his screen name - but now we can just chat. It's been a long time since we just chatted, but IM'ing is so great for that - you simply spot that the other person is "in the room" so to speak and if you have something to say - you do. So maybe it's sad that our first IM chat was still "do you ever hear from so-and-so" and "do you remember when...", but it's nice to think that now we can stay more current more easily. So many times he has talked about coming back to Ma. for a visit, and Sue and I were even ready to go visit him on our way to a rabbit convention - but for various reasons none of the trips ever panned out. He say's he wants to come here next summer, and for some reason I feel like it will actually happen this time. Maybe cause with IM, we can stay on top of the plan better (i.e. I can harrass him daily)! So day 2 of IMing with Corey - I've probably created a monster but what the heck, Corey is kinda like the big blue monster in Monsters, Inc - just big and friendly and well meaning - a sort of lovable gentle giant. Always has been, and after all this time and distance - it's nice to get a friend back considering that too often in life they just leave. So even if we only ever talk about the old softball team or old friends and good times, who cares - I often think about them, so why not have someone to talk to about them who lived through them with you. Welcome back, my old friend.

Tuesday, July 31, 2007

Goodbye Jason

My friend Jason is moving back to Arizona. I met him 8 or 9 years ago when he answered my add online looking for a bass guitar player. Aside from the unmistakable fact that he considerably taller than me (and I am 6'3") he stood out with his easy going and somewhat flambouyant attitude and excellent musicianship. He could play, sing, and he stood out in a crowd! Most importantly, Sue also thought he was great - the "Anti-Bob" as she referred to him as (inside joke) - despite the fact that she was appalled that I would trust meeting someone off of the internet. After a few years playing together in the band, Jason quit when he moved to Worchester. A while later when I had the need for a fillin bass player, I called him to ask if he could help out. Surprizingly, he said he had recently dreamed that I called him and we played together again - so he accepted. This lasted a while longer, but the travel distance and lack of steady band work was too big an obstacle, so he joined another band. Still, we made attempts to keep in touch and get together a couple times a year. The kids totally loved him and fight for his attention when he visits, and he is very patient and amused by them. When he called the other day to say he was moving back to Arizona where is mother and sister and many friends live, we were sad for us but happy for him. So a simple cookout and singalong at our house served well as a going away party, where we all got to do our best to make him feel loved (and feel bad for leaving us!). Julie & Jamie set him up with an "Instant Message" screen name under the assumption that he might actually IM with us, I gave him all of our blog links (so maybe he'll actually read this), recorded his special song "Interstate 80 Iowa", and of course took lots of pictures.





Goodbye Jason :-(
Peace be with you!

Friday, July 27, 2007

Hotel California - For What It's Worth

My Mary gave me the book “Hotel California” for Fathers Day, with her handwritten inscription “here’s a look at the crazy, wild, wacky, and just plain weird things that CSN&Y, James Taylor, The Eagles, etc got up to along the years”. Of course the mid sixties through the seventies was my music listening “Prime Time” and I know much about my icons. My musical heroes were young (only 5 to 10 years older than myself) men and women swept up by the power of music, witnessed music’s ability to move people and even culture and who were determined to propagate that movement. More than biographies about specific people, this is more of a story about the growth of the music industry through that particular era, and of course contains many stories about how the musicians helped start, create and change the industry. But unlike an authorized biography, the authors does not feel obliged to put a positive spin on anyone in particular, and paints a much broader picture of the musicians, the music, the times and the effect they had on each other.

The book chronicles how these rebellious young singer/songwriters and music industry upstarts congregated in L.A. in the 60’s – hungry, restless, motivated, committed, and eager to change the world. Of course, as they start to succeed in changing their world, their world changes them. Eventually most of them become the exact people doing the exact things that they so vigorously protested against when they were starting out. Their rebelliousness against the establishment was the reason that listeners loved them so much and bought records and concert tickets which afforded them the ability to stop being hungry, restless, motivated, committed, and eager to change the world.

“Come on people now, smile on your brother. Everybody get together; try to love one another right now” and “There’s something happening here. What it is ain’t exactly clear. There’s a man with a gun over there telling me I’ve got to beware. I think its time we stop, children, what’s that sound. Everybody look what’s going down”. Music could change the course of society’s evolution – or so they/we thought.

As young listeners, we were moved emotionally by certain songs, bands, players – and eagerly took sides, defiantly defended OUR bands. We argued who was better – the Beatles or the Dave Clarke 5 (yes, that preceded arguments that continue to this day between the Beatles or the Stones), or even who was better within a band – John or Paul, or Stephan or Neil. Songs weren’t just favorite melodies; they MEANT something to us – as they obviously meant something to the songwriter/performer. I always gravitated towards the “singer/songwriter” types, as their lyrics and the performance of them seemed so personal and committed. Sonny and Cher sang songs that were written by someone else who wrote songs all day that could be sung by anyone else. Neil Young wrote songs that nobody but Neil could do properly. Sonny and Cher could never had sung “The Needle and the Damage Done” while Neil could never had sung “I’ve Got You Babe”. I (and most every young musician wannabe) felt a certain allegiance to certain performers, and learned to play and sing their songs with as close to the same intensity as I could master. The music was personally important, it meant something, it became a part of our beings, and it helped to drive us and even politically motivate us. Bands or songs could motivate us to take a stand and protest against war, injustice, prejudice, government wrong-doing. Of course I am now well aware that many of my icons became drug and people abusing, money hungry egomaniacs, but their self-destructive outcome didn’t change the honesty of their previously expressed idealist views and artistic talent.

Maybe I’m old and blind and out of touch, but I don’t see that these days. Certainly my own kids have favorite bands and songs, but I don’t think it’s with the same sense of commitment. I’m sure Mary or Corey have “their songs” and have learned to play them on their guitars and years down the road will make them smile when they come on the Oldies station, but I’m not sure they have songs that will make them cry (now or 30 years from now) or that make them want to become better people or join a cause. I do. And I’m not saying I’m better or they are lesser – of course they are good people and will do good things. I just don’t think that the “power of music” contributes as much to their developing psych-ee as it did to me and my contemporaries.

These days, people scoff at the summer/oldies/reunion concert tours that these aging throwbacks perform. Certainly these 60-something rockers & bands are a far cry from what they once were. Lack of health, voice, energy, and current relevance is obvious. They are no longer a “force to be reckoned with” as they originally were. I agree that their efforts to record and sell new material generally fall far short of their own previously set standards. By all logical reason, they should have hung it up long ago – so why do they still survive? Because even though they are no longer the idealistic rabble-rousers they once were, they still remember the feelings they had when they wrote those anthems so long ago. Maybe CSNY or Joni Mitchell are not relevant to today’s music industry, but they are still relevant to us who first learned about the world through their songs. WE still remember the power and the emotion evoked by the songs, and long for that feeling that once drove us (or celebrate that it still does). I wonder if Corey will go to a Counting Crows or Green Day concert when he is in his 50’s? (Not that at 18 I could conceive of going to a CSNY concert at 50!)



The book ends with a short, recent interview with Ned Doheny – a lesser known member of the old Laurel Canyon 60’s-70’s Singer/songwriter clique – talking about how those artist’s collective rise to superstardom ruined themselves, and their effect on the world in general.
[In selling their souls for fame and riches, the stars of the 60’s and 70’s helped create a world where passive consumerism replaced emotional engagement and political commitment. The apathy of twentysomethings over the environment and Iraq is shocking when one harks back to the civil rights and Vietnam War protests of the 60’s. Nobody is writing songs about what George Bush is doing. And you get to thinking ‘maybe the power of music is over’. He pauses and proffers a sad smile. “Maybe I should go downstairs and not worry about it,” he says. “But I keep saying to my son ‘Don’t you guys get it?’” {taken from the book Hotel California by Barney Hoshyns}] These last lines haunted me.

I wonder what art form will inspire our children to desire to make their world a better place? I don’t think it’s music – at least not now. Maybe their world is so comfortable that they feel no need to improve it, they have no hunger. Or they simply don’t know what they hunger for, and have no spokes-person to point it out in a way that moves them. One of their own music icons even points out the apparent apathy in one of his own songs, singing

[Now we see everything that's going wrong With the world and those who lead it We just feel like we don't have the means To rise above and beat it So we keep waiting Waiting on the world to change We keep on waiting Waiting on the world to change
{John Mayer}]

If this performer wrote this lyric in the late 60’s / early 70’s, Neil Young and Lynyrd Skynrd would have ganged up and retaliated and mobilized their fans so much that it would have been the last song this guy ever sung. Ah but that was the good old days – not that they were so good, they weren’t – which is why people united together, rose up and did something about it. The difference in my generation was that, instead of Presidents and Generals and Adventurers, our heart and soul leaders were our poets and singers. I don’t know who my own children’s heart and soul leaders are (Bart Simpson, Steven Colbert?). It’s not me – I’m who they are supposed to be rebelling against. On one hand I’m glad they are not, but on the other I’m not sure that’s good. Our country was built on rebellion and desire for social improvement. If we are so well off and our children so complacent that they no longer care to rebel and improve their world, then we might be in big trouble.

Monday, July 23, 2007

Cooped up with Joe

Joe has had chickens for over a year. Recently he became seriously interested in them, reading about how to properly care for them and about all the different breeds. Since one of his pair perished, Joe has taken it upon himself to be the remaining ones playmate - sitting in the coop, talking to it, teaching it to let him hold it, setting up a cleaning schedule and system for the coop. Pretty in-depth for a 10 year old. Sue has been so impressed with Joe's level of commitment, she got him two more adult hen's to join his other one. Then she mail-ordered him 25 baby chick's - due to arrive this week. This meant the need to build a new, bigger chicken coop. Joe had plenty of ideas and with Sue's help had already scoured the scrap pile for salvagable materials. So - I had my weekend project. Normally when I build, I retreat into my own little world, ignore the family, forget to eat, etc... Jamie is usually the only one who ever wants to help, but this time Joe - who can't focus or sit still long enough - wanted "in" on every aspect. So father & son spent 6 hours (ask Joe) working on saturday and more on sunday. Joe learned to use the drill and change the bits with the chuck key. He got to climb on the shed roof. He cut boards with the chop saw, hammered nails, used a post hole digger, planned and contributed ideas - and maintained a sense of amazement and pride throughout. He didn't fight me over things I said wouldn't work. We shopped for what lumber we couldn't scrounge, and picked out hinges. In two days he turned from a monkee into a carpenter. Now that I'm back to work and he's home, I have to hope that with his newfound knowledge of power tools, he doesn't turn into a danger! I'm afraid I'll come home one day to see what he "Built" while Tim was babysitting!

Tuesday, July 17, 2007

I was born in the sign of water and it's there that I feel my best, the albatros and the whale they are my brothers (sorry Wes, Eric & Dave)


If there’s one thing in my life that’s missing
It’s the time that I spend alone
Sailing on the cool and bright clear water
It’s kind of a special feeling
When you’re out on the sea alone
Staring at the full moon like a lover
(Cool Change by The Little River Band)

“The Shain Gang” (or what ever our band name is to actually be) and spouses/significant others spent the evening cruising the Cape Cod Canal on Robs boat. It was a casual gathering which pleasantly turned into a sort of “team building” bonding trip. Rob (our boat captain and keyboard player), Nelly (his girlfriend for the past year) and Marcus (his 5 year old Golden Retriever) were our gracious hosts on his 32ft boat “Seascapes”. Joni (our drummer) and her husband Joe (master electrician & “Mr. Fixit”), Ken (our bass player) and his wife Nina (who used to be neighbors and best friends of Sue’s former/favorite boss), and Sue and I rounded out the crew. After friendly introductions and taste testing the hors d’ourves we embarked on our 3 hour tour (ok – it was actually 4 hours, but we were having fun!). Of course, being “Cape People” everyone else had plenty of good boating stories to tell and knew about boating rules such as “Red on right when returning”. Sue and I – being “Off Cape” landlubbers – only had canoeing stories and one old boating story about when I was 5 years old (look for this in “Growing Up At Nenna’s House”), but could readily contribute in the wedding planning conversations (Ken and Nina’s daughter will be getting married soon).

The weather was perfect (75 degrees at Monument Beach Marina), water was calm and boat traffic strangely absent (did everybody else know something that we didn’t? approaching monsoons? Power plant meltdowns?). We headed for the canal and approached as the train bridge was being raised – stroke of perfect timing that we got to watch it but not be delayed by it. Rob eased us gracefully along, pointing out various points of interest from his upper deck and newly upholstered (his own handiwork) captain’s chair – with his two new co-pilots on either side of him (Sue on the left – of course – lefty! - and Nelly on his right). The upper deck actually fit us all (except for Marcus who couldn’t climb the ladder) snuggly but comfortably. At the eastern end of the canal we opted to bypass the “Aqua Bar” and simply anchor off the southern jetty, watch the sun set, and enjoy the food & drink we brought. Of course there were the obligatory “Gilligan’s Island” references even though our cast & crew didn’t quite match up with theirs. OK – so Rob bears a slight resemblance to “The Professor” and Nelly could have easily put her hair in pony-tails and been Mary Ann and if Ken put on another 100 pounds he might pass himself off as “The Skipper”, but that would leave Sue & Nina to fight over who got to be the Movie Star or Mrs. Howell, and Marcus and I to be Gilligan and Mr. Howell (and me having no money and being tall and once-upon-a-time skinny would make me a lock as the 1st mate).

As we cheerfully conversed and bonded, the sun set and dusk took over the canal and fog took over the bay. Rob determined it was time to start the trek back and fired up the twin engines. Oddly enough, the upper deck lights, the flood light and GPS randomly decided to not work. After a near-miss with a channel marker buoy, we were on our way just ahead of a tug & barge. Properly gauging my interest level, Rob offered me a turn at the wheel and set the throttle for me. After a few minutes I got the feel of how the boat reacted and how much to turn the wheel and ride the wake of the barge. Maybe it's genetic or an "Ancestral Memory" thing, and Great Grandpa Billy Annis and Uncle Happy were smiling my way, but it all felt very natural. Before long, Rob relaxed and settled in next to Nelly and offered occasional words of advice and encouragement. Little did he know of the recurring images from “The Perfect Storm” I had going through my head as we mildly listed and lurched a couple of times. Steering a boat through the canal is actually work! (but fun) As Sue doesn’t actually like driving period, she was happy to let me have my fun – and Rob let me take us all the way back to within a hundred yards of the pier. He then proceeded to impress one and all with the ability to turn a 32 foot boat around backwards in a 35 foot space, and back into his slip without hitting any neighboring boats, pilings, or docks.

So with lots of happy “thank you’s” and “good byes” and promises of future excursions (and electrical wiring advice) we all made our separate ways home. Our “Community Building Mini-Retreat” a success, we are eager to get this band out of the water and on the road!


I look to the sea, reflections in the waves spark my memory
Some happy, some sad
I think of childhood friends and the dreams we had
We live happily forever, so the story goes
But somehow we missed out on that pot of gold
But we'll try best that we can to carry on

Come sail away, come sail away
Come sail away with me
(Come Sail Away by Styx)

Monday, July 16, 2007

On The Verge

Well it’s been a few years and a few unsuccessful attempts since I’ve played in a band. Cousin Tommy and I jammed for a while with high hopes, but it was hard to find the time and it wasn’t coming together as smoothly as I had hoped. Then I met Bill from Whitman and the first few meetings were extremely encouraging as our song knowledge and styles seemed to just fall into place. Unfortunately, as we should have been getting tight and ready to play out – things seemed to regress. Then I met with a group from the Cape – 3-pieces who had been playing together but had their singer/guitarist/leader retire. They needed someone to both play guitar and carry about 3/4 of a nights worth of lead vocals.

So here it is about six months later, we are practicing about three times a month and just booked our first official gig – a private party. Not a big deal but a start – a paid start! (and a good morale boost). At least now we can honestly tell prospective clubs/ booking agents that we are indeed a working band. We’ll let you all know when you can come to a club to hear us – we’ll be counting on you all to show up and make us look good! “The Shain Gang” has arrived!

Wednesday, June 20, 2007

Hiking Trip

My brother Wes & sister Laurie have been great about inviting their Carver nieces & nephews (as they get old enough) on backpacking adventures. Jamie is 14 yrs old now and it's his turn. A 3-day hike up and over the Franconia Ridge in New Hampshires White Mountains, with 2 nights staying at Greenleaf AMC Hut where Jamies cousin (Wes' son and former Appalachian Trail thru-hiker) Nathaniel is working as part of the Hut Croo. I've climbed Mt Liberty and Mt Garfield (opposite ends of the ridge) but never the Ridge (Sue has, with Wes one summer long ago) so I'm feeling small pangs of jealousy/wistfullness.



Oh how I remember the "Good Old Days" when Laurie & I shared many backpacking trips.






"Now I think I'm going down to the well tonight and I'm going to drink till I get my fill. And I hope when I get old I don't sit around thinking about it, but I probably will. Yeah, just sitting back trying to recapture a little of the glory of, well time slips away and leaves you with nothing mister but boring stories of glory days" (Glory Days by Bruce Springsteen)

Sunday, June 17, 2007

Leading the League

I don't actually have all the facts, but I will simply jump to the conceited conclusion that I lead the league in "dumped comments". It makes me feel good to think I am the best at something - even if it's only the talent of irking a friend with smart@$$ comments (gee - I hope she doesn't think that my calling her "a friend" is a smart@$$ comment)

(although I still maintain that I actually complimented her by comparing her to HerMajesty, who not only confidently assumes people are talking about her, but always replies when people mention that somebody was indeed talking about her "are you kidding? People have MEETINGS about me!")

Thursday, June 14, 2007

The Garden - before (2005) & after (2007)

The Garden/Patio = circa 2005



The Garden/Patio = circa 2007

Tuesday, May 29, 2007

and the meek shall inherit (or at least crush their older sibling accomplishments and rub their noses in it)

Mary played basketball, softball, and baseball – and while not overly competitive, she enjoyed playing the games and strived to do well. Typically she did do pretty well and played JV softball in 7th & 8th grade. She opted to not play varsity ball after witnessing from the safe distance of the JV field, the (shall we say) zeal of the varsity coach. When Timmy’s Babe Ruth League baseball team needed bodies, she switched to baseball – platooning at first base and batting cleanup by the end of the year. Coach DiCarlo STILL brags about her.

Tim played one year of soccer (didn’t particularly care for it) and played Little League, Babe Ruth League, and JV baseball. Timmy loved playing and would practice in the yard as often as possible. He had deceptive ability – he looked nonchalant and did not run gracefully, but he could catch, throw (even threw some knuckleballs in Babe Ruth), and had a knack for clutch hitting (with power). He hit a key home run (bounced off the outfielders head and over the fence) in a Little League game, and hit the longest triple I’ve ever seen in JV ball (OK, so it would have been an easy home run for anyone else). In the end, he quit playing baseball at school for much the same reason as Mary. Why do some coaches think that louder & meaner = better?

Corey is the most intensely competitive of the Blauss children. From eight years old, he knew the playing rules and the rules of competition. He knew when to cover the base or play the ball, knew he could tag and score on a caught pop-foul ball. Like Tim, his talent wasn’t obvious – you had to watch the little thing he did right and realize his understanding of the game. His natural physical abilities were not such that he instilled confidence in his coaches. Most of his coaches didn’t rate him as a “player”, and despite all the pre-season coach speeches about hard work in practice determining playing time Corey was keenly aware of the injustice of how the prima dona players could screw up and screw off and still start every game and play the key positions. All Corey ever did was throw strikes (one game with 16 strikeouts despite no fastball), hit in the clutch (sure he could look bad when the bases were empty, but had a knack for starting a rally when one was needed) and make heads up base running plays (6 years later coach Johnson STILL talks about the tag&score on the foul ball play). To this day Corey remembers being on the bench for four innings in a minor league game, coaches who promised he would play certain positions but reneged, and the JV coach who chewed him out for stealing third base (uncontested) in a game they were losing by 19 runs (and he then proceeded to score his teams only run). When Corey realized that no matter what he did, the Varsity Coach was not going to give him any playing time (if indeed he made the team), he switched to cross country. He knew every runner he needed to beat, worked hard and even made league all-stars. Yes, Corey got the Blauss competitive gene for certain. A personality conflict with the CC coach and a collapsed lung made him decide to not run cross country in his senior year.

Julie could care less about sports. What good is softball or basketball going to do for her as an artist & Egyptologist? Because as parents we promote physical activity and sportsmanship, Julie was coaxed into playing baseball/softball and basketball. Oh how the basketball coaches drooled when the nearly 6 foot 6th grader walked onto the court. Oh how they cringed when they realized she didn’t know how to play, and quite honestly didn’t care that much. Although she did have a huge game against the leagues best scorer (shut her down for only 6 points, and scored 10 herself along with key steels and blocks) to win the championship – she would still tell people she played because her parents made her (not accusingly, just matter of fact). At Corey’s insistence, Julie ran cross country freshman year. Although she ran the 3 miles about 10 minutes slower than the top runners, she willingly plugged along. When asked how she liked cross country she replied “I like talking with the other girls on the bus rides, but the running part isn’t much fun” (I never knew cross country had a part besides running). She was happy knowing that if she never crossed the finish line, the times of her much faster team-mates would not count at all – so as slow as she was, she was as equally important a member as her undefeated team-mate. In the spring she switched from running to throwing (it seemed like less work, while still filling the parental request for participating in a physical activity). She tried the shot put and discus. The disc was bad (only around 50 feet) but the shot was worse – so she gave up on the shot put. With only one event, she could get her throws done in about ten minutes and spend the rest of the meet reading or drawing. So now it’s spring of sophomore year and she is competing in her one event again. Strangely enough, she is improving. She started by throwing in the “60’s”, then improved into the “70’s” and quickly into the 80 foot range. When she threw 87+ feet, she qualified for statewide competition. Granted she never expects to throw the improbable distance of her team-mate Kayla (110 feet) but she was quite excitedly anticipating throwing a “90” and then she proudly accomplished it. It also seemed to please her that she was out-throwing some of the “athletes” who were on the track & Field squad with her. Now she discusses the advantages of different techniques (she does better with the style that assistant coach “Jocko” showed her than with what head coach “Frac” prefers). Because of her throw of over 87 feet, she was invited to the State Class Meet where she threw against all of the other qualifying girls from all of the Division 4 teams across the state. She came in third place with a throw of 104+. This means she goes next Saturday to compete against all of the top 4 throwers from each division (I believe there are 5 divisions) which means (while only a sophmore) she is one of the top 20 female discus throwers in the state of Massachusetts. Julie is taking great pride in her accomplishments (which she should) and is excited about her next challenge. And although I don’t know how it is going to help her be a better artist or Egyptologist, I am totally proud of her and happy for her.

Each child has enjoyed the bragging right of having been on a championship team at some point in time.

Funny how the one who cared the least about excelling in sports, has suffered the least amount of disillusionment and has progressed further than any of them.

GO JUJUBEE-AMAZON!!!!!

Monday, May 21, 2007

One Busy Day



Good things come to those who wait.


So I waited until I was 28 before I got married, but she was absolutely worth the wait.


Sue was 20 and our marriage (or more accurately, the two children who soon followed) interupted her college education prior to her completing senior year. But now- 20 years later - she, and the child who made it too logistically difficult to finish school way back when, graduated together from BSC (the only parent/child combo to do so this year).


So the mother who sacrificed her own progress for the sake of her children, and the son who at age two was diagnosed as autistic (later clarified to Hyperlexia) and who benefitted immeasurably from her decision to interupt her formal education and be devoted and dedicated to his (correction = NOT immeasurably, receiving his college diploma is a very clear and impressive measurement) both conquered incredible obstacles to arrive fittingly at the same place on the same day == mother first, son about five minutes later == after listening to a 24 year old 3-time Nobel Peace Prize nominee talk about the importance and priviledge of children receiving an education and how young college grads should dedicate some time and energy helping to make it happen for others less fortunate.

Sadly we missed witnessing Julie receiving the Sacrement of Confirmation - 'tho her sponsor Maureen and her elder sister Mary generously took over the responsibility of her wonderful event so that the rest of us could focus on Sue & Tim's acheivement.

Nikki missed softball practice and Joe missed a game (although I presume both were certainly cancelled due to inclement weather so they didn't actually miss anything).

Corey got to end the busy day by stealing the show (or at least the first half) as the "semi-sadistic" dentist in Carver High's production of Little Shop of Horrors. Once little Joe was convinced that Corey wasn't really dead, he decided that he wants Carver to do the play when he is in high school so that he too can play the part (he would get to say bad words and nobody would actually be mad at him for it!). Yon got to buy a Venus Fly Trap plant duing intermission.

All in all - a very successful day. God is good!

Sunday, May 20, 2007

Friday, May 18, 2007

How does she do it?

Within the span of 60 hours (started last night so some items are already completed) she will:

1. be a doting mother of 7
2. be a loving wife
3. be a sympathetic ear to a friend who just had cancer surgically removed
4. work the graveyard shift
5. help save a mans life (literally)
6. counsel others who feel like they might die
7. get kids off to school
8. sleep a couple of hours
9. attend a college dinner ceremony with Tim
10. get Yon home from work
11. be a tired, but still loving wife
12. organize the next days schedule
13. get a couple hours sleep
14. get kids dressed
15. graduate from college
16. miss Julies Confirmation Ceremony but still make her feel special
17. entertain 8 people throuhout a celebratory meal
18. watch Corey perform in the High School Play
19. organize the next days schedule
20. get a couple hours sleep
21. attend church
22. host Joe’s birthday party

(not to mention all of the other little things she takes care of and fits in like cleaning and cooking and attending to everybody else’s needs)

(my goal is to do something to prove myself worthy of her)

Monday, May 07, 2007

Opening Day

Softball season officially starts today with Nikki’s first game. We have been able to practice three times and look as good as any 3rd thru 5th grade team can look. I love the start of softball as it has been an important part of my life for 32 years. OK – sadly I can’t tell you how many years I’ve been married but I can tell you how long I’ve been coaching. Of course gone are the good old days when I was young and single and was not only a head coach of the Hanson 13 – 17 year old travel team (8 years) but also Hanson Girls Softball League President (7 years) and North River Girls Softball League President (4 years) concurrently - and could spend endless hours plotting and planning rosters and schedules and practices and game lineups. Now I am an assistant coach (and with family schedules and commitments, only a part time assistant at that) for Nikki’s team with a new head coach I barely know. So the dilemma is how to be the helper and not let 32 years of experience make me sound like a know-it-all? I don’t want to sound like I’m telling the guy how to coach HIS team, and I don’t want to see him spend a lot of valuable time negotiating the learning curve when I could lead him through it much quicker. See – just explaining it makes me sound like an egotist. I feel guilty over any amount of time I invest in preparation, and worry about offending him. Last year worked out good because Nikki’s coach Gordon had been an assistant coach for me 8 years ago in Little League. So last year even though I wasn’t even officially his assistant – he gladly put me to work with the pitchers whenever I was able to be at the games or practices. Now Gordon is the Carver Girls Softball League President. He tried to convince me to be a Head Coach, but the time commitment is still just too much. But he promises to have a spot for me whenever I am ready because he feels I would be a good influence in the league. I read the list of league guidelines and rules and philosophy that Gordon put together. I think he plagiarized every philosophy I ever espoused when he and I coached together (I was flattered, and he is welcome to steal any ideas I have ever expressed) – so I guess that even if I never get to be a head coach again, I can be happy thinking I did influence the league in an indirect way. Maybe I will figure out how to influence a new head coach in a similar way.

Anyway – although surrounding circumstances have greatly changed (jobs, bills, school, supper, yard work, graduations, band, 4-H, etc.... can all wait until tomorrow), it’s officially softball season, the sun is shining, we’ve not lost a single game, and I am eager to get onto the field. Play Ball!